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Courses in Music (MUS)

Lower Division

2A. Keyboard Competence, Part 1 (2)

Performance—2 hours. Prerequisite: course 6A and 16A required concurrently. Training to meet the minimum piano requirements for the major in music. Scales and simple harmonic progressions in twelve keys, both major and minor. (P/NP grading only.) GE credit: AH.—F. (F.) Triest

2B. Keyboard Competence, Part 2 (2)

Performance—2 hours. Prerequisite: course 6B and course 16B required concurrently; completion of course 2A or demonstration of required keyboard proficiency level on diagnostic exam; consent of instructor. Training to meet the minimum piano requirements for the major in music. Harmonic progressions, modulations and score reading at the piano. (P/NP grading only.) GE credit: AH.—W. (W.) Triest

2C. Keyboard Competence, Part 3 (2)

Performance—2 hours. Prerequisite: course 6C and course 16C required concurrently; completion of course 2B or demonstration of required keyboard proficiency level on diagnostic exam; consent of instructor. Training to meet the minimum piano requirements for the major in music. Harmonic progressions, figured bass realization, sight reading and keyboard repertory. (P/NP grading only.) GE credit: AH.—S. (S.) Triest

3A. Introduction to Music Theory, Part I (4)

Lecture—1 hour; recitation—3 hours. Fundamentals of music theory, ear-training, harmony, counterpoint, and analysis directed toward the development of listening and writing techniques. Intended for the general student. GE credit: ArtHum | AH.—F, W. (F, W.) Triest

3B. Introduction to Music Theory, Part II (4)

Lecture—1 hour; recitation—3 hours. Prerequisite: completion of course 3A or consent of instructor. Continuation of course 3A. Development of melodic and harmonic writing skills. Basic analysis training. Intended for the general student. GE credit: ArtHum | AH.—W, S. (W, S.) Craig, Triest

6A. Elementary Theory, Part 1 (3)

Lecture—3 hours. Prerequisite: course 2A and course 16A required concurrently. Development of music writing and listening skills through the study of music fundamentals, species counterpoint, harmony, analysis of repertory. Intended primarily for music majors. GE credit: ArtHum | AH.—F. (F.) Nichols

6B. Elementary Theory, Part 2 (3)

Lecture—3 hours. Prerequisite: course 2B and course 16B required concurrently; completion of course 6A or demonstration of required proficiency level on diagnostic exam. Continuation of course 6A. GE credit: ArtHum | AH.—W. (W.) Nichols

6C. Elementary Theory, Part 3 (3)

Lecture—3 hours. Prerequisite: course 2C and course 16C required concurrently; completion of course 6B or demonstration of required proficiency level on diagnostic exam. Continuation of courses 6A-B. GE credit: ArtHum | AH.—S. (S.) Nichols

7A. Intermediate Theory, Part 1 (3)

Lecture—3 hours. Prerequisite: course 6C; course 17A concurrently. Homophonic music of the Classical era with a focus on analysis of music by Haydn, Mozart, and Beethoven. Composition of pieces in the homophonic forms such as minuet and trio, theme and variations, rondo and sonata. Intended for music majors. GE credit: ArtHum | AH.—F. (F.) Bauer, Pelo, Rohde, San Martin

7B. Intermediate Theory, Part 2 (3)

Lecture—3 hours. Prerequisite: course 7A; course 17B concurrently. Nineteenth-century harmony and voice leading through the music of the Romantic era. Focus on analysis of music by Chopin, Schumann, Brahms, Wagner, and Wolf. Composition of character pieces and songs. Intended for Music majors. GE credit: ArtHum | AH.—W. (W.) Bauer, Pelo, Rohde, San Martin

7C. Intermediate Theory, Part 3 (3)

Lecture—3 hours. Prerequisite: course 7B; course 17C concurrently. The music of the first thirty years of the twentieth century and various analytical tools pertaining to it. Works of Debussy, Stravinsky, Schoenberg, Berg, and others. Composition of small pieces for solo instruments, voice and piano. Intended for Music majors. GE credit: ArtHum | AH.—S. (S.) Bauer, Pelo, Rohde, San Martin

10. Introduction to Musical Literature (4)

Lecture—3 hours; listening—1 hour. Introduction to composers and major styles of Western music. Lectures, listening sections, and selected readings. For non-majors. GE credit: ArtHum, Wrt | AH, VL, WC, WE.—F, W, S. (F, W, S.) Hess, Holoman, Levy, Pelo

11. Musics of the World (4)

Lecture—3 hours; listening section—1 hour. Survey of selected art, folk, and popular music cultures from different parts of the world. Emphasis on understanding relationship of musical style, aesthetic principles, and performance practice to wider cultural contexts. GE credit: ArtHum, Div | AH, VL, WC.—W, S. (W, S.) Lee, Spiller

16A. Elementary Musicianship, Part 1 (2)

Lecture/laboratory—2 hours. Prerequisite: course 2A and course 6A required concurrently. The melodic, rhythmic, and harmonic materials of Western music. Includes sight singing, explanations, drills, melodic/rhythmic/harmonic dictations, and listening analysis. GE credit: ArtHum | AH.—F. (F.) Triest

16B. Elementary Musicianship, Part 2 (2)

Lecture/laboratory—2 hours. Prerequisite: course 2B and course 6B required concurrently; completion of course 16A or demonstration of required proficiency level on diagnostic exam. The melodic, rhythmic, and harmonic materials of Western music. Includes sight singing, explanations, drills, melodic/rhythmic/harmonic dictations, and listening analysis. GE credit: ArtHum | AH.—W. (W.) Triest

16C. Elementary Musicianship, Part 3 (2)

Lecture/laboratory—2 hours. Prerequisite: course 2C and course 6C required concurrently; completion of course 16B or demonstration of required proficiency level on diagnostic exam. The melodic, rhythmic, and harmonic materials of Western music. Includes sight singing, explanations, drills, melodic/rhythmic/harmonic dictations, and listening analysis. GE credit: ArtHum | AH.—S. (S.) Triest

17A. Intermediate Musicianship, Part 1 (2)

Lecture/laboratory—2 hours. Prerequisite: course 7A concurrently; completion of course 16C or demonstrate required proficiency level on diagnostic exam. Melodic, rhythmic, and harmonic materials of Western music. Includes sight singing, explanations, drills, melodic/rhythmic/harmonic dictations, and listening analysis. GE credit: ArtHum | AH—F. (F.) Craig

   17B. Intermediate Musicianship, Part 2 (2)

Lecture/laboratory—2 hours. Prerequisite: course 7B or 100B required concurrently; completion of course 17A or demonstration of required proficiency level on diagnostic exam. The melodic, rhythmic, and harmonic materials of Western music. Includes sight singing, explanations, drills, melodic/rhythmic/harmonic dictations, and listening analysis. GE credit: ArtHum | AH—W. (W.) Craig

17C. Intermediate Musicianship, Part 3 (2)

Lecture/laboratory—2 hours. Prerequisite: course 7C concurrently; successful completion of course 17B or demonstrate required proficiency level on diagnostic exam. The melodic, rhythmic, and harmonic materials of Western music. Includes sight singing, explanations, drills, melodic/rhythmic/harmonic dictations, and listening analysis. GE credit: ArtHum | AH—S. (S.) Craig

24A. Introduction to the History of Music I (3)

Lecture—3 hours. Prerequisite: can be concurrent with course 6A or consent of instructor. History of music from the late Baroque to Beethoven. Intended primarily for majors in music. GE credit: ArtHum, Wrt | AH, VL, WE.—F. (F.) Berger

24B. Introduction to the History of Music II (3)

Lecture—3 hours. Prerequisite: completion of course 24A or consent of instructor. The history of music from the Romantic Period to the nineteenth century. Intended primarily for majors in music. GE credit: ArtHum, Wrt | AH, VL, WE.—W. (W.) Berger

24C. Introduction to the History of Music III (3)

Lecture—3 hours. Prerequisite: completion of course 24B or consent of instructor. The history of music of the 20th century. Intended primarily for majors in music. GE credit: ArtHum, Wrt | AH, VL, WE.—S. (S.) Levy

28. Introduction to African American Music (4)

Lecture/discussion—3 hours; discussion—1 hour; listening; project. Survey of African American music, such as spirituals, blues, ragtime, jazz, theater, gospel, R&B, rap, and art music. Emphasis on historical and sociocultural contexts, as well as African roots. GE credit: ArtHum, Div, Wrt | ACGH, AH, DD, VL, WE.—S. (S.) 

98. Directed Group Study (1-5)

Prerequisite: consent of instructor. (P/NP grading only.) GE credit: AH.—F, W, S. (F, W, S.) 

99. Special Study for Undergraduates (1-5)

Prerequisite: consent of instructor. (P/NP grading only.) GE credit: AH.—F, W, S. (F, W, S.) 

Upper Division

101A. Advanced Theory, Part 1 (4)

Lecture—3 hours; lecture/laboratory—1 hour. Prerequisite: completion of course 101A. Twentieth-century music from 1930 through 1950 and the various analytical tools pertaining to it. Works of Copland, Sessions, Schoenberg, Bartók, and Stravinsky. Composition of small pieces for piano and voice. GE credit: ArtHum | AH.—F. (F.) Bauer, Pelo, Rohde, San Martin

101B. Advanced Theory, Part 2 (4)

Lecture—3 hours; lecture/laboratory—1 hour. Prerequisite: course 101A. Music from 1950 to the present and the analytical tools pertaining to it. Works of Babbit, Carter, Dallapiccola, Ligeti, Messiaen, Reich and others. Composition of small pieces for ensemble. GE credit: ArtHum | AH.—W. (W.) Bauer, Pelo, Rohde, San Martin

102. Tonal Counterpoint (4)

Lecture—3 hours; practice—1 hour. Prerequisite: course 7C. Imitative tonal counterpoint with an analytical focus on the Two-Part Inventions and fugues from the The Well-Tempered Klavier by J. S. Bach. Composition of exercises and short pieces using contrapuntal techniques. Intended for music majors. GE credit: ArtHum | AH.—F. (F.) Bauer

103. Workshop in Composition (3)

Workshop—3 hours. Prerequisite: completion of course 6C or consent of instructor. Workshop in musical composition for undergraduates who are interested in pursuing serious compositional studies and intending to follow the composition track of the major. Course will explore the techniques and materials of musical composition. May be repeated for credit. GE credit: ArtHum | AH.—F, W, S. (F, W, S.) Bauer, Nichols, Ortiz, Pelo, Rohde, San Martin

105. History and Analysis of Jazz (4)

Lecture—3 hours; discussion—1 hour. Prerequisite: completion of course 10 or 3B or 28 or consent of instructor. Jazz and the evolution of jazz styles in historical and cultural context. For non-majors. GE credit: ArtHum, Div, Wrt | ACGH, AH, DD, WE.—F. (F.) Bauer

106. History of Rock Music (4)

Lecture—3 hours; discussion—1 hour. Prerequisite: completion of course 10 or 3B or consent of instructor. Rock and the evolution of rock styles in historical and cultural context. For non-majors. GE credit: ArtHum, Wrt | ACGH, AH, VL, WE.—W. (W.) Froh, Reynolds

107A. Computer and Electronic Music (3)

Lecture—3 hours; laboratory—1 hour. Prerequisite: consent of instructor. Limited enrollment. Studies in electronic and computer music composition. The principles and procedures of composition in various electronic media are explored through compositional exercises. GE credit: ArtHum | AH.—W. (W.) Nichols

107B. Computer and Electronic Music (3)

Lecture—3 hours; laboratory—1 hour. Prerequisite: completion of course 107A or consent of instructor. Limited enrollment. Continuation of course 107A. Offered in alternate years. GE credit: ArtHum | AH.—S. (S.) Nichols

108A. Orchestration (2)

Lecture—2 hours. Prerequisite: completion of course 6C or consent of instructor. Techniques of orchestration from study of basic instrumental techniques to analysis of orchestral scores and scoring for various instrumental combinations. GE credit: ArtHum | AH, VL.—W. (W.) Ortiz

108B. Orchestration (2)

Lecture—2 hours. Prerequisite: completion of course 108A or consent of instructor. Techniques of orchestration from study of basic instrumental techniques to analysis of orchestral scores and scoring for various instrumental combinations. GE credit: ArtHum | AH, VL.—W. (W.) Ortiz

110A. The Music of a Major Composer: Beethoven (4)

Lecture—3 hours; discussion—1 hour. Prerequisite: completion of course 10 or 3A or consent of instructor. The work of Beethoven will be studied in the context of his time and his contemporaries. Lectures, discussion/guided listening sections, and selected readings. For non-majors. Offered in alternate years. GE credit: ArtHum, Wrt | AH, VL, WC, WE.—F. (F.)

110B. The Music of a Major Composer: Stravinsky (4)

Lecture—3 hours; discussion—1 hour. Prerequisite: completion of course 10 or course 3A or consent of instructor. The work of Stravinsky will be studied in the context of his time and his contemporaries. Lectures, discussion/guided listening sections, and selected readings. For non-majors. GE credit: ArtHum, Wrt | AH, VL, WC, WE.

110C. The Music of a Major Composer: Bach (4)

Lecture—3 hours; discussion—1 hour. Prerequisite: completion of course 10 or course 3A or consent of instructor. The work of Bach will be studied in the context of his time and his contemporaries. Lectures, discussion/guided listening sections, and selected readings. For non-majors. Offered in alternate years. GE credit: ArtHum, Wrt | AH, VL, WC, WE.

110D. The Music of a Major Composer: Mozart (4)

Lecture—3 hours; discussion—1 hour. Prerequisite: completion of course 10 or 3A or consent of instructor. The work of Mozart will be studied in the context of his time and his contemporaries. Lectures, discussion/guided listening sections, and selected readings. For non-majors. Offered in alternate years. GE credit: ArtHum, Wrt | AH, VL, WC, WE.

110E. The Music of a Major Composer: Haydn (4)

Lecture—3 hours; discussion—1 hour. Prerequisite: completion of course 10 or 3A or consent of instructor. The work of Haydn in the context of his time and his contemporaries. Lectures, discussion/guided listening sections, and selected readings. For non-majors. Offered in alternate years. GE credit: ArtHum, Wrt | AH, VL, WC, WE.

110F. American Masters (4)

Lecture—3 hours; discussion—1 hour. Prerequisite: completion of course 10 or course 3A or consent of instructor. An overview of American concert music by master composers from Charles Ives to the present. Lectures, discussion/guided listening sections, and selected readings. For non-majors. Offered in alternate years. GE credit: ArtHum, Wrt | ACGH, AH, DD, VL, WE.—S. (S.) Levy

110G. Music of a Major Composer—Handel (4)

Lecture—3 hours; discussion—1 hour. Prerequisite: completion of course 10 or course 3A or consent of instructor. Work of Handel in the context of his time and his contemporaries. Lectures, discussion/guided listening sections, and selected readings. For non-majors. Offered in alternate years. GE credit: ArtHum, Wrt | AH, VL, WC, WE.—Thomas

113. Introduction to Conducting (2)

Lecture—1 hour; performance—1 hour. Prerequisite: completion of course 6C or consent of instructor. Principles and techniques of conducting as they apply to both choral and instrumental ensembles. GE credit: ArtHum | AH.—F, W. (F, W.) Baldini, Thomas

114. Intermediate Conducting (2)

Lecture—1 hour; performance—1 hour. Prerequisite: completion of course 113 or consent of instructor. Intermediate conducting with a continued focus on principles and techniques as they apply to both choral and instrumental ensembles. GE credit: ArtHum | AH.—W, S. (W, S.) Baldini, Thomas

115. History of Film Music (4)

Lecture—3 hours; film viewing—3 hours. Prerequisite: completion of course 10 or course 3A or consent of instructor. Film music from silent films to movies of the past decade. How music supports and shapes film narrative and structure. Use of jazz, rock and classical music in film. Offered in alternate years. Offered irregularly. GE credit: ArtHum, Wrt | AH, VL, WE.—F. (F.) Ortiz

116. Introduction to the Music of The Beatles (4)

Lecture—3 hours; listening—1 hour. Prerequisite: completion of course 10 or course 3A or consent of instructor. Survey of music of The Beatles, focusing on the songs of Lennon and McCartney. Emphasis on understanding their evolution as musicians, composers and cultural figures. Discussion of their musical influences in wider cultural contexts. GE credit: AH, VL, WC.—S. (S.) Reynolds

121. Topics in Music Scholarship (4)

Seminar—4 hours. Prerequisite: course 6C and course 24C; or consent of instructor. Sources and problems of a historical period or musical style selected by the instructor and announced in advance. May be repeated for credit. GE credit: ArtHum | AH, OL.—F, W, S. (F, W, S.) 

122. Topics in Analysis and Theory (4)

Seminar—4 hours. Prerequisite: course 6C and course 24C; or consent of instructor. Analysis of works of a composer or musical style selected by the instructor and announced in advance. Consideration of theoretical issues. May be repeated for credit. GE credit: ArtHum | AH, OL.—F, W, S. (F, W, S.)

123. Music as Culture (3)

Lecture/discussion—3 hours. Prerequisite: course 124B or consent of instructor. Introduction to the study of music in cross-cultural perspective. Basic theories and frameworks of ethnomusicology; in-depth case studies of three musical traditions from around the world. Intended for music majors. Offered in alternate years. GE credit: ArtHum | AH, WC, WE.—F. (F.) Lee, Spiller

124A. History of Western Music: Middle Ages to 1600 (3)

Lecture—3 hours. Prerequisite: course 24C or consent of instructor. Historical survey of composers and musical styles from the Middle Ages to the beginning of the 17th century. GE credit: ArtHum, Wrt | AH, VL, WE.—W. (W.) Berger, Owens

124B. History of Western Music: 1600-1750 (3)

Lecture—3 hours. Prerequisite: course 124A or consent of instructor. Historical survey of composers and musical styles from the late 1500s to the mid-18th century. GE credit: ArtHum, Wrt | AH, VL, WE.—S. (S.) Berger, Owens

126. American Music (4)

Lecture—3 hours; listening—1 hour. Prerequisite: course 10 or course 3A or consent of instructor. Introductory survey of American musics, including Native American music, Hispanic polyphony, New England psalmody, and selected 20th-century composers and styles. Offered in alternate years. GE credit: ArtHum, Div, Wrt | ACGH, AH, DD, WE.—S. (S.) Hess, Levy

127. Music from Latin America (4)

Lecture—3 hours; discussion—1 hour. Prerequisite: consent of instructor. Examination of music from Latin America. Characteristic music (i.e., tango, bossa nova, salsa, musica motena, musica andina) as well as its implications in other musical genres. Taught in Spanish. Not open to students who taken Spanish 171 and 171S. (Same course as Spanish 171) May be repeated one time for credit when topic differs. Offered in alternate years. GE credit: ArtHum | AH, WC.—F. (F.) Hess, Irwin, Ortiz

129A. Musics of the Americas (4)

Lecture—3 hours; discussion—1 hour. Prerequisite: course 10 or course 11 or course 3A or consent of instructor. Survey of music cultures from North, Central, and South America, including the Caribbean, with emphasis on the role of music in society and on the elements of music (instruments, theory, genres and form, etc.). Introduction to ethnomusicological theory, methods, approaches. Offered in alternate years. GE credit: ArtHum, Div, Wrt | AH, DD, VL, WC, WE.

129B. Musics of Africa, Middle East, Indian Subcontinent (4)

Lecture—3 hours; discussion—1 hour. Prerequisite: course 10 or course 11 or course 3A or consent of instructor. Survey of music cultures with special emphasis on the role of music in society and on the elements of music (instruments, theory, genres and form, etc.). Introduction to ethnomusicological theory, methods, approaches. Offered irregularly. GE credit: ArtHum, Div, Wrt | AH, VL, WC, WE.

129C. Musics of East and Southeast Asia (4)

Lecture—3 hours; discussion—1 hour. Prerequisite: course 10 or course 11 or course 3A or consent of instructor. Survey of music cultures from Japan, China, Korea, Vietnam, and Indonesia, with special emphasis on the role of music in society and on the elements of music (instruments, theory, genres and form, etc.). Introduction to ethnomusicological theory, methods, approaches. Offered irregularly. GE credit: ArtHum, Div, Wrt | AH, VL, WC, WE.—W. (W.) Lee, Spiller

129D. Folk Musics of Europe (4)

Lecture—3 hours; discussion—1 hour. Prerequisite: course 10 or course 11 or course 3A or consent of instructor. Survey of folk musics from all of Europe, with emphasis on the role of music in society and on the elements of music (instruments, genres, form, etc.). Introduction to ethnomusicological theory, methods, approaches. Offered irregularly. GE credit: ArtHum, Div, Wrt | AH, VL, WC, WE.

130A. Applied Study of Music: Advanced; Voice (1)

Performance instruction—1 hour. Prerequisite: consent of instructor; admission by audition. Class instruction, arranged by section; Voice. Offered as demand indicates. May be repeated for credit.—F, W, S. (F, W, S.)

30B. Applied Study of Music: Advanced; Piano (1)

Performance instruction—1 hour. Prerequisite: consent of instructor; admission by audition. Class instruction, arranged by section; Piano. Offered as demand indicates. May be repeated for credit.—F, W, S. (F, W, S.)

130C. Applied Study of Music: Advanced; Harpsichord (1)

Performance instruction—1 hour. Prerequisite: consent of instructor; admission by audition. Class instruction, arranged by section; Harpsichord. Offered as demand indicates. May be repeated for credit.—F, W, S. (F, W, S.)

130D. Applied Study of Music: Advanced; Organ (1)

Performance instruction—1 hour. Prerequisite: consent of instructor; admission by audition. Class instruction, arranged by section; Organ. Offered as demand indicates. May be repeated for credit.—F, W, S. (F, W, S.)

130E. Applied Study of Music: Advanced; Violin (1)

Performance instruction—1 hour. Prerequisite: consent of instructor; admission by audition. Class instruction, arranged by section; Violin. Offered as demand indicates. May be repeated for credit.—F, W, S. (F, W, S.)

130F. Applied Study of Music: Advanced; Viola (1)

Performance instruction—1 hour. Prerequisite: consent of instructor; admission by audition. Class instruction, arranged by section; Viola. Offered as demand indicates. May be repeated for credit.—F, W, S. (F, W, S.)

130G. Applied Study of Music: Advanced; Cello (1)

Performance instruction—1 hour. Prerequisite: consent of instructor; admission by audition. Class instruction, arranged by section; Cello. Offered as demand indicates. May be repeated for credit.—F, W, S. (F, W, S.)

130H. Applied Study of Music: Advanced; Double Bass (1)

Performance instruction—1 hour. Prerequisite: consent of instructor; admission by audition. Class instruction, arranged by section; Double Bass. Offered as demand indicates. May be repeated for credit.—F, W, S. (F, W, S.)

130I. Applied Study of Music: Advanced; Flute (1)

Performance instruction—1 hour. Prerequisite: consent of instructor; admission by audition. Class instruction, arranged by section; Flute. Offered as demand indicates. May be repeated for credit.—F, W, S. (F, W, S.)

130J. Applied Study of Music: Advanced; Oboe (1)

Performance instruction—1 hour. Prerequisite: consent of instructor; admission by audition. Class instruction, arranged by section; Oboe. Offered as demand indicates. May be repeated for credit.—F, W, S. (F, W, S.)

130K. Applied Study of Music: Advanced; Clarinet (1)

Performance instruction—1 hour. Prerequisite: consent of instructor; admission by audition. Class instruction, arranged by section; Clarinet. Offered as demand indicates. May be repeated for credit.—F, W, S. (F, W, S.)

130L. Applied Study of Music: Advanced; Bassoon (1)

Performance instruction—1 hour. Prerequisite: consent of instructor; admission by audition. Class instruction, arranged by section; Bassoon. Offered as demand indicates. May be repeated for credit.—F, W, S. (F, W, S.)

130M. Applied Study of Music: Advanced; French Horn (1)

Performance instruction—1 hour. Prerequisite: consent of instructor; admission by audition. Class instruction, arranged by section; French Horn. Offered as demand indicates. May be repeated for credit.—F, W, S. (F, W, S.)

130N. Applied Study of Music: Advanced; Trumpet (1)

Performance instruction—1 hour. Prerequisite: consent of instructor; admission by audition. Class instruction, arranged by section; Trumpet. Offered as demand indicates. May be repeated for credit.—F, W, S. (F, W, S.)

130O. Applied Study of Music: Advanced; Trombone (1)

Performance instruction—1 hour. Prerequisite: consent of instructor; admission by audition. Class instruction, arranged by section; Trombone. Offered as demand indicates. May be repeated for credit.—F, W, S. (F, W, S.)

130P. Applied Study of Music: Advanced; Tuba (1)

Performance instruction—1 hour. Prerequisite: consent of instructor; admission by audition. Class instruction, arranged by section; Tuba. Offered as demand indicates. May be repeated for credit.—F, W, S. (F, W, S.)

130Q. Applied Study of Music: Advanced; Percussion (1)

Performance instruction—1 hour. Prerequisite: consent of instructor; admission by audition. Class instruction, arranged by section; Percussion. Offered as demand indicates. May be repeated for credit.—F, W, S. (F, W, S.)

130R. Applied Study of Music: Advanced; Classical (1)

Performance instruction—1 hour. Prerequisite: consent of instructor; admission by audition. Class instruction, arranged by section; Classical. Offered as demand indicates. May be repeated for credit.—F, W, S. (F, W, S.)

130U. Applied Study of Music: Advanced; Recorder (1)

Performance instruction—1 hour. Prerequisite: open to Music majors with ability to perform scales and short compositions from standard repertoire; admission by audition and consent of instructor. Class instruction, arranged by section; Recorder.

131A. Applied Study of Music: Advanced (Individual); Voice (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: course 1 or the equivalent; open to Music majors only; admission by audition and consent of instructor. Individual instruction in Voice. May be repeated for credit.—F, W, S. (F, W, S.)

131B. Applied Study of Music: Advanced (Individual); Piano (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: consent of instructor; admission by audition. Individual instruction in Piano. May be repeated for credit.—F, W, S. (F, W, S.)

131C. Applied Study of Music: Advanced (Individual); Harpsichord (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: consent of instructor; admission by audition. Individual instruction in Harpsichord. May be repeated for credit.—F, W, S. (F, W, S.)

131D. Applied Study of Music: Advanced (Individual); Organ (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: consent of instructor; admission by audition. Individual instruction in Organ. May be repeated for credit.—F, W, S. (F, W, S.)

131E. Applied Study of Music: Advanced (Individual); Violin (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: consent of instructor; admission by audition. Individual instruction in Violin. May be repeated for credit.—F, W, S. (F, W, S.)

131F. Applied Study of Music: Advanced (Individual); Viola (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: open to Music majors only; admission by audition and consent of instructor. Individual instruction in Viola. May be repeated for credit.—F, W, S. (F, W, S.)

131G. Applied Study of Music: Advanced (Individual); Cello (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: consent of instructor; admission by audition. Individual instruction in Cello. May be repeated for credit.—F, W, S. (F, W, S.)

131H. Applied Study of Music: Advanced (Individual); Double Bass (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: consent of instructor; admission by audition. Individual instruction in Double Bass. May be repeated for credit.—F, W, S. (F, W, S.)

131I. Applied Study of Music: Advanced (Individual); Flute (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: consent of instructor; admission by audition. Individual instruction in Flute. May be repeated for credit.—F, W, S. (F, W, S.)

131J. Applied Study of Music: Advanced (Individual); Oboe (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: admission by audition. Individual instruction in Oboe. May be repeated for credit.—F, W, S. (F, W, S.)

131K. Applied Study of Music: Advanced (Individual); Clarinet (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: consent of instructor; admission by audition. Individual instruction in Clarinet. May be repeated for credit.—F, W, S. (F, W, S.)

131L. Applied Study of Music: Advanced (Individual); Bassoon (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: consent of instructor; admission by audition. Individual instruction in Bassoon. May be repeated for credit.—F, W, S. (F, W, S.)

131M. Applied Study of Music: Advanced (Individual); French Horn (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: consent of instructor; admission by audition. Individual instruction in French Horn. May be repeated for credit.—F, W, S. (F, W, S.)

131N. Applied Study of Music: Advanced (Individual); Trumpet (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: consent of instructor; admission by audition. Individual instruction in Trumpet. May be repeated for credit.—F, W, S. (F, W, S.)

131O. Applied Study of Music: Advanced (Individual); Trombone (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: consent of instructor; admission by audition. Individual instruction in Trombone. May be repeated for credit.—F, W, S. (F, W, S.)

131P. Applied Study of Music: Advanced (Individual); Tuba (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: consent of instructor; admission by audition. Individual instruction in Tuba. May be repeated for credit.—F, W, S. (F, W, S.)

131Q. Applied Study of Music: Advanced (Individual); Percussion (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: consent of instructor; admission by audition. Individual instruction in Percussion. May be repeated for credit.—F, W, S. (F, W, S.)

131R. Applied Study of Music: Advanced (Individual); Classical Guitar (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: consent of instructor; admission by audition. Individual instruction in Classical Guitar. May be repeated for credit.—F, W, S. (F, W, S.)

131U. Applied Study of Music: Advanced (Individual); Saxophone (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: consent of instructor. Open to Music majors only; admission by audition. Admission by audition and consent of instructor. Individual instruction in Saxophone. May be repeated for credit.—F, W, S. (F, W, S.)

132. Singing for Actors (1)

Performance—1 hour. Prerequisite: consent of instructor. The elements of basic singing techniques, through selected exercises, vocalises, and songs. May be repeated for credit. (P/NP grading only.) GE credit: AH.

131B. Applied Study of Music: Advanced (Individual); Piano (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: consent of instructor; admission by audition. Individual instruction in Piano. May be repeated for credit.—F, W, S. (F, W, S.)

131C. Applied Study of Music: Advanced (Individual); Harpsichord (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: consent of instructor; admission by audition. Individual instruction in Harpsichord. May be repeated for credit.—F, W, S. (F, W, S.)

131D. Applied Study of Music: Advanced (Individual); Organ (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: consent of instructor; admission by audition. Individual instruction in Organ. May be repeated for credit.—F, W, S. (F, W, S.)

131E. Applied Study of Music: Advanced (Individual); Violin (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: consent of instructor; admission by audition. Individual instruction in Violin. May be repeated for credit.—F, W, S. (F, W, S.)

131F. Applied Study of Music: Advanced (Individual); Viola (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: open to Music majors only; admission by audition and consent of instructor. Individual instruction in Viola. May be repeated for credit.—F, W, S. (F, W, S.)

131G. Applied Study of Music: Advanced (Individual); Cello (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: consent of instructor; admission by audition. Individual instruction in Cello. May be repeated for credit.—F, W, S. (F, W, S.)

131H. Applied Study of Music: Advanced (Individual); Double Bass (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: consent of instructor; admission by audition. Individual instruction in Double Bass. May be repeated for credit.—F, W, S. (F, W, S.)

131I. Applied Study of Music: Advanced (Individual); Flute (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: consent of instructor; admission by audition. Individual instruction in Flute. May be repeated for credit.—F, W, S. (F, W, S.)

131J. Applied Study of Music: Advanced (Individual); Oboe (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: admission by audition. Individual instruction in Oboe. May be repeated for credit.—F, W, S. (F, W, S.)

131K. Applied Study of Music: Advanced (Individual); Clarinet (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: consent of instructor; admission by audition. Individual instruction in Clarinet. May be repeated for credit.—F, W, S. (F, W, S.)

131L. Applied Study of Music: Advanced (Individual); Bassoon (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: consent of instructor; admission by audition. Individual instruction in Bassoon. May be repeated for credit.—F, W, S. (F, W, S.)

131M. Applied Study of Music: Advanced (Individual); French Horn (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: consent of instructor; admission by audition. Individual instruction in French Horn. May be repeated for credit.—F, W, S. (F, W, S.)

131N. Applied Study of Music: Advanced (Individual); Trumpet (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: consent of instructor; admission by audition. Individual instruction in Trumpet. May be repeated for credit.—F, W, S. (F, W, S.)

131O. Applied Study of Music: Advanced (Individual); Trombone (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: consent of instructor; admission by audition. Individual instruction in Trombone. May be repeated for credit.—F, W, S. (F, W, S.)

131P. Applied Study of Music: Advanced (Individual); Tuba (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: consent of instructor; admission by audition. Individual instruction in Tuba. May be repeated for credit.—F, W, S. (F, W, S.)

131Q. Applied Study of Music: Advanced (Individual); Percussion (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: consent of instructor; admission by audition. Individual instruction in Percussion. May be repeated for credit.—F, W, S. (F, W, S.)

131R. Applied Study of Music: Advanced (Individual); Classical Guitar (2)

Performance instruction—0.5 hour; independent practice—5 hours. Prerequisite: consent of instructor; admission by audition. Individual instruction in Classical Guitar. May be repeated for credit.—F, W, S. (F, W, S.)

140. University Jazz Band (2)

Rehearsal—4 hours. Prerequisite: consent of instructor. Open to students in any major. Rehearsal, study, and performance of jazz band music and full variety of jazz band styles, including swing, be-bop, and contemporary jazz styles. May be repeated for credit. (P/NP grading only.)—F, W, S. (F, W, S.) Griffith

141. University Symphony (2)

Rehearsal—4 hours. Prerequisite: admission subject to audition before first class meeting. Open to any student in the University whose proficiency meets the requirements of concert performance. Sight-reading, rehearsal and performance of music from the orchestral literature. May be repeated for credit. (P/NP grading only.) GE credit: AH.—F, W, S. (F, W, S.) Baldini

142. University Chamber Singers (2)

Rehearsal—3 hours. Prerequisite: admission subject to audition before first class meeting. Rehearsal and performance of works for small choral group. May be repeated for credit. (P/NP grading only.) GE credit: AH.—F, W, S. (F, W, S.)

143. University Concert Band (2)

Rehearsal—4 hours. Prerequisite: admission subject to audition before first class meeting. Open to any student in the University whose proficiency meets the requirements of concert performance. Rehearsal and performance of music for band. May be repeated for credit. (P/NP grading only.) GE credit: AH.—F, W, S. (F, W, S.) Nowlen

144. University Chorus (2)

Rehearsal—4 hours. Prerequisite: admission subject to audition before first class meeting. Open to any student in the University. Rehearsal and performance of choral music. May be repeated for credit. (P/NP grading only.) GE credit: AH.—F, W, S. (F, W, S.) Thomas

145. Early Music Ensemble (2)

Rehearsal—4 hours. Prerequisite: consent of instructor; admission by audition. Rehearsal and performance of Medieval, Renaissance, and Baroque music for vocal ensemble and historical instruments. May be repeated for credit. (P/NP grading only.) GE credit: AH.—F, W, S. (F, W, S.) 

146. Chamber Music Ensemble (1)

Rehearsal—2 hours; student practice—1 hour. Prerequisite: admission subject to audition before first class meeting. Open to any student in the University whose proficiency meets the requirements of concert performance. Study, rehearsal, and performance of ensemble music for strings, winds, voice, piano, harpsichord, and organ. May be repeated for credit. (P/NP grading only.) GE credit: AH.—F, W, S. (F, W, S.) Baldini

147. University Wind Ensemble (2)

Rehearsal—4 hours. Prerequisite: consent of instructor. Rehearsal, study, and performance of a full variety of wind ensemble music; and to have students share their work in public performances. May be repeated for credit. (P/NP grading only.) GE credit: AH.—F. (F.) Nowlen

148. Hindustani Vocal Ensemble (2)

Rehearsal—2 hours. Prerequisite: consent of instructor. Basics of Hindustani music through theory and practice. Fundamentals of raga (mode) and tala (rhythms) with special emphasis on improvisation, a central feature of khyal (singing style). Five ragas each quarter. May be repeated up to six times for credit. (P/NP grading only.) GE credit: AH.—W, S. (W, S.) Sahai

149. Indonesian Gamelan Ensemble (2)

Rehearsal—2 hours. Prerequisite: consent of instructor. Indonesian music practice. Basic instrumental technique and repertory. Focus on two styles of Sundanese gamelan (tuned percussion orchestras): salendro and degung. May be repeated for credit. (P/NP grading only.) GE credit: AH.—F, W, S. (F, W, S.) Spiller

150. Brasilian Samba School (2)

Rehearsal—2 hours. Prerequisite: consent of instructor. Practice of Brasilian music. Basic instrumental technique and repertory. Focus on the percussion traditions of Rio de Janeiro and Bahia. May be repeated up to six times for credit. (P/NP grading only.) GE credit: ArtHum | AH.—F, W, S. (F, W, S.) Froh

151. Korean Percussion Ensemble (2)

Rehearsal—2 hours; listening—2 hours; practice—2 hours. Prerequisite: consent of instructor. Class size limited to 20 students. Practice of Korean percussion styles. Basic instrumental technique and repertory. Focus on the percussion traditions of samulnori and basic concepts of p'ungmul. (P/NP grading only) May be repeated six times for credit. GE credit: AH.—F, W, S. (F, W, S.) Lee

192. Internship in Music (1-4)

Internship—3-12 hours. Prerequisite: consent of instructor or academic adviser. Student must submit a written proposal to an appropriate Music Department instructor. Internship outside the university related to music. May be repeated up to eight units of credit. (P/NP grading only.) GE credit: AH.—F, W, S, Su. (F, W, S, Su.) 

194HA. Special Study for Honors Students (2-4)

Independent study—6-12 hours. Prerequisite: courses 7C and 123. Open only to students who qualify for the honors program and admission to music Senior Honors Program. Preparation and presentation of a culminating project, under the supervision of an instructor, in one of the creative or scholarly areas of music. (Deferred grading only, pending completion of sequence.) GE credit: ArtHum | AH.—F, W, S. (F, W, S.)

194HB. Special Study for Honors Students (2-4)

Independent study—6-12 hours. Prerequisite: completion of course 194HA; consent of instructor. Open only to students who qualify for honors program and admission to Music Senior Honors Program. Preparation and presentation of a culminating project, under the supervision of an instructor, in one of the creative or scholarly areas of music. (Deferred grading only, pending completion of sequence.) GE credit: ArtHum | AH.—F, W, S. (F, W, S.)

195. Senior Project (2)

Project—6 hours. Prerequisite: completion of course 7C and 123; consent of instructor. Preparation of a senior project in music composition (public presentation of a new work), in music performance (a public recital), or in music history and theory (public presentation of research results). GE credit: ArtHum | AH.—F, W, S. (F, W, S.)

198. Directed Group Study (1-5)

Prerequisite: consent of instructor. (P/NP grading only.) GE credit: AH.—F, W, S. (F, W, S.)

199. Special Study for Advanced Undergraduates (1-5)

(P/NP grading only.) GE credit: AH.—F, W, S. (F, W, S.)

Graduate

202. Notation (4)

Seminar—3 hours; term paper. Open to graduate students in music; advanced undergraduates with consent of instructor. Study of musical notation; investigation of techniques for editing Medieval and Renaissance music. Offered in alternate years.—F, W, S. (F, W, S.) Berger

203. Music Composition (4)

Seminar—3 hours; term paper. Open to graduate students in music; advanced undergraduates with consent of instructor. Technical projects that explore compositional problems, the skill and techniques with which to solve them, and free composition. May be repeated for credit.—F, W, S. (F, W, S.) Bauer, Nichols, Ortiz, Pelo, Rohde, San Martin

204. Advanced Conducting (3)

Tutorial—2 hours; practice. Prerequisite: consent of instructor. Open to graduate students in conducting. This course covers the technical aspects of conducting and the broader issues in music history and analysis that conductors must face before leading a rehearsal or performance. May be repeated for credit.—F, W, S. (F, W, S.) Baldini, Thomas

207. Advanced Electronic and Computer Music (4)

Seminar—2 hours. Prerequisite: consent of instructor. Advanced composition of computer and electronic music. 

210A. Proseminar in Music (Theory and Analysis) (4)

Seminar—3 hours; term paper. Open to graduate students in music; advanced undergraduates with consent of instructor. Voice-leading analysis of tonal music derived from Schenker and pitchclass set theory. Recent work on compositional design, generalizations of the concept of interval, psychologically oriented music theory, and theories of durational structure and timbre.—W. (W.) San Martin

210B. Proseminar in Music (Musicology and Criticism) (4)

Seminar—3 hours; term paper. Open to graduate students in music; advanced undergraduates with consent of instructor. Issues and concepts of music history, including performance practice questions for specific repertoires and periods; principles, aims, and methods of archival study; historical theory; evolution of musical styles; philosophical debates about goals and aims of the discipline in general.—F. (F.) Owens

210C. Proseminar in Music (Ethnomusicology) (4)

Seminar—3 hours; term paper. Open to graduate students in music; advanced undergraduates with consent of instructor. Introduction to ethnomusicology through its intellectual history, theoretical approaches, analytical techniques, and methodologies.—S. (S.) Lee

212. Ethics of Musical Ethnography (4)

Seminar—3 hours; fieldwork. Open to graduate students in music. Advanced undergraduates with consent of instructor. The role, methodology, perception, and assumptions of the ethnomusicologist in ethnographic scholarship. Examination of complex ethical and political questions in relation to practical fieldwork techniques. Offered in alternate years.—W. (W.) Lee

213. Transcription and Notation (4)

Seminar—3 hours; project. Prerequisite: Open to graduate students in music. Advanced undergraduates with consent of instructor. Practical instruction in the transcription and analysis of primarily non-Western musics. Analytical and theoretical issues, the politics of representation, and the cultural values and ideologies implicit in notation. Offered in alternate years.—S. (S.) Spiller

214. Recent Issues in Ethnomusicology (4)

Seminar—3 hours; term paper. Open to graduate students in music; advanced undergraduates with consent of instructor. Issues, schools of thought, and basic literature in ethnomusicology from the 1980s to present. Emphasis on theory and methodology. Offered in alternate years.

221. Topics in Music History (4)

Seminar—3 hours. Open to graduate students in music; advanced undergraduates with consent of instructor. Studies in selected areas of music history and theory. May be repeated for credit.—F, W, S. (F, W, S.)

222. Techniques of Analysis (4)

Seminar—3 hours. Open to graduate students in music; advanced undergraduates with consent of instructor. Analysis and analytical techniques as applied to music of all historical style periods. May be repeated for credit.—F, S. (F, S.)

223. Topics in Ethnomusicology (4)

Seminar—4 hours. Prerequisite: open to graduate students in music; advanced undergraduates with consent of instructor. Intended for graduate students in Music; Anthropology students may enroll with consent of instructor. In-depth ethnomusicological studies of selected cultures and their musics; study of historical, theoretical, contextual, and cultural features.—W. (W.) 

299. Individual Study (1-12)

(S/U grading only.)

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Updated: November 21, 2017 12:17 PM