Theatre & Dance, Bachelor of Arts College of Letters & Science
The A.B. degree in Theatre & Dance provides students with an appreciation for an understanding of performance and its role in culture and society. Students build skills in specific areas as well as a broad knowledge of theatre and dance.
Productions & Facilities
Each year's schedule includes opportunities to work with professional artists (directors, choreographers and writers) in Granada Artists-in Residence productions, faculty and student-led workshops and productions, and the Film Festival at UC Davis. These productions are staged in our proscenium (Main), thrust (Wyatt), black box (Arena), performance studio (Della Davidson Performance Studio) and intimate laboratory theatre (Lab A). These productions are part of the academic program of the department and serve an important purpose in the study of theatre and dance. Participation is open to all students.
Production Requirements
All students completing a major in Theatre & Dance must participate in productions, including work in at least two of the following three areas: performance (acting/dance), design, and directing/playwriting/stage management, as well as crew assignments and work in production labs.
Graduate Study
The Department of Theatre & Dance offers programs of study and research leading to the M.F.A. in Dramatic Art (admissions currently suspended) and contributing to the Graduate Group Ph.D. in Performance Studies. Detailed information may be obtained by contacting the Graduate Program Administrator for the Graduate Group in Performance Studies, 530-754-6973.
The major requirements below are in addition to meeting University Degree Requirements & College Degree Requirements; unless otherwise noted. The minimum number of units required for the Theatre & Dance Bachelor of Arts is 66.
Major Requirements
Code | Title | Units |
---|---|---|
Preparatory Subject Matter | ||
Choose DRA 021A or 4 units from DRA 040A, 040B, 042A, 042B: | 4 | |
Fundamentals of Acting | ||
OR 4 units from: | ||
Beginning Modern Dance | ||
Intermediate Modern Dance | ||
Beginning Ballet | ||
Intermediate Ballet | ||
DRA 024 | Visual Aspects of Dramatic Art | 4 |
DRA 028 | Entertainment Engineering & Management: Stagecraft to Stage Management | 4 |
Choose three: | 12 | |
Contemporary Local, National & Global Theatre, Dance & Performance | ||
History of Theatre & Dance I: Myth, Magic & Madness | ||
History of Theatre & Dance II: Romance, Revenge & Rebellion | ||
History of Theatre & Dance III: Sex, Society & the State | ||
Preparatory Subject Matter Subtotal | 24 | |
Depth Subject Matter | ||
Choose two: | 8 | |
History of Modern Dance | ||
American Theatre & Drama | ||
Representing Race in Performance | ||
African American Dance & Culture in the United States, Brazil & the Caribbean | ||
Performance Analysis | ||
Theatre in History & Place: Local, National & Global Conditions for Production | ||
Modern Aesthetic Movements in Performance | ||
Theatre History Through Shakespeare | ||
Performance Studies Undergraduate Seminar | ||
Contemporary Experimental Performance, Theatre & Drama | ||
Choose one: | 4 | |
Principles of Theatrical Design: Scenery | ||
Principles of Theatrical Design: Scenery | ||
Principles of Theatrical Design: Lighting | ||
Principles of Theatrical Design: Costume | ||
Costume Design for Film | ||
Principles of Performing Arts Stage Management | ||
Topics in Entertainment Engineering | ||
Principles of Theatre Sound | ||
Choose one: | 4 | |
Intermediate Acting/Gateway: The Actor's Toolkit | ||
Introduction to the Fundamentals of Movement | ||
Introduction to Traditional Chinese Embodied Culture | ||
Professional Track Modern Dance I | ||
Choose one: | 4 | |
Principles of Directing | ||
Dance Composition | ||
Principles of Playwriting | ||
Choose 8 units: | 8 | |
Theatre on Film | ||
Advanced Study of Major Film Makers | ||
Design on Screen | ||
Intermediate Acting/Gateway: The Actor's Toolkit | ||
Advanced Acting: Scene Study & Script Analysis | ||
Advanced Acting: Rehearsal Processes & Practices | ||
Advanced Acting: Character & Style | ||
Advanced Acting: Devising & Collaboration | ||
Advanced Acting: Shakespeare & His Contemporaries | ||
Advanced Acting: Special Topics in Acting | ||
Principles of Theatrical Design: Scenery | ||
Principles of Theatrical Design: Scenery | ||
Principles of Theatrical Design: Lighting | ||
Principles of Theatrical Design: Costume | ||
Costume Design for Film | ||
Scenic Painting: Studio | ||
Principles of Performing Arts Stage Management | ||
Topics in Entertainment Engineering | ||
Principles of Directing | ||
Principles of Directing | ||
Principles of Theatre Sound | ||
Approaches to Theatrical Design: Practice & Theory | ||
Voice in Performance | ||
Dance Composition | ||
Dance Composition | ||
Dance Composition | ||
Introduction to the Fundamentals of Movement | ||
History of Modern Dance | ||
Dance & Movement Studio | ||
Introduction to Traditional Chinese Embodied Culture | ||
Traditional Chinese Physical Culture | ||
Daoist Philosophy in Traditional Chinese Movement Culture | ||
Professional Track Modern Dance I | ||
Professional Track Modern Dance II | ||
Professional Track Modern Dance III | ||
American Theatre & Drama | ||
Musicals: History, Practice & Production | ||
Latinx Theatre & Performance | ||
Asian Theatre & Drama: Contexts & Forms | ||
African American Dance & Culture in the United States, Brazil & the Caribbean | ||
Performance Analysis | ||
Theatre in History & Place: Local, National & Global Conditions for Production | ||
Modern Aesthetic Movements in Performance | ||
Theatre History Through Shakespeare | ||
Performance Studies Undergraduate Seminar | ||
Contemporary Experimental Performance, Theatre & Drama | ||
Principles of Playwriting | ||
Principles of Playwriting | ||
Media Theatre | ||
Acting for Camera | ||
Small Scale Film Production | ||
Special Topics: Artist in Residence-Seminar | ||
Special Topics: Artist in Residence-Studio | ||
Choose 6 units from at least two of: | 6 | |
Directed Choreography Projects | ||
Theatre Laboratory: Performance | ||
Theatre Laboratory: Design | ||
Theatre Laboratory: Management, Directing, other Production Team | ||
Choose 4 units: | 4 | |
Theatre Laboratory: Crew | ||
Choose 2 units: | 2 | |
Theatre Laboratory: Scenic | ||
Theatre Laboratory: Costume | ||
Theatre Laboratory: Lighting/Sound/Projection | ||
DRA 195 | Senior Capstone Experience | 2 |
Depth Subject Matter Subtotal | 42 | |
Total Units | 66 |
Honors Major Requirements
Code | Title | Units |
---|---|---|
Preparatory Subject Matter | ||
Choose DRA 021A or 4 units from DRA 040A, 040B, 042A, 042B: | 4 | |
Fundamentals of Acting | ||
OR 4 units from: | ||
Beginning Modern Dance | ||
Intermediate Modern Dance | ||
Beginning Ballet | ||
Intermediate Ballet | ||
DRA 024 | Visual Aspects of Dramatic Art | 4 |
DRA 028 | Entertainment Engineering & Management: Stagecraft to Stage Management | 4 |
Choose three: | 12 | |
Contemporary Local, National & Global Theatre, Dance & Performance | ||
History of Theatre & Dance I: Myth, Magic & Madness | ||
History of Theatre & Dance II: Romance, Revenge & Rebellion | ||
History of Theatre & Dance III: Sex, Society & the State | ||
Preparatory Subject Matter Subtotal | 24 | |
Depth Subject Matter | ||
Choose two: | 8 | |
Theatre on Film | ||
Design on Screen | ||
History of Modern Dance | ||
American Theatre & Drama | ||
Musicals: History, Practice & Production | ||
Latinx Theatre & Performance | ||
Asian Theatre & Drama: Contexts & Forms | ||
Representing Race in Performance | ||
African American Dance & Culture in the United States, Brazil & the Caribbean | ||
Performance Analysis | ||
Theatre in History & Place: Local, National & Global Conditions for Production | ||
Modern Aesthetic Movements in Performance | ||
Theatre History Through Shakespeare | ||
Performance Studies Undergraduate Seminar | ||
Contemporary Experimental Performance, Theatre & Drama | ||
Choose one: | 4 | |
Principles of Theatrical Design: Scenery | ||
Principles of Theatrical Design: Scenery | ||
Principles of Theatrical Design: Lighting | ||
Principles of Theatrical Design: Costume | ||
Costume Design for Film | ||
Principles of Performing Arts Stage Management | ||
Topics in Entertainment Engineering | ||
Principles of Theatre Sound | ||
Choose one: | 4 | |
Intermediate Acting/Gateway: The Actor's Toolkit | ||
Introduction to the Fundamentals of Movement | ||
Introduction to Traditional Chinese Embodied Culture | ||
Professional Track Modern Dance I | ||
Choose one: | 4 | |
Principles of Directing | ||
Dance Composition | ||
Principles of Playwriting | ||
Choose 6 units from at least two of: | 6 | |
Directed Choreography Projects | ||
Theatre Laboratory: Performance | ||
Theatre Laboratory: Design | ||
Theatre Laboratory: Management, Directing, other Production Team | ||
Choose 4 units: | 4 | |
Theatre Laboratory: Crew | ||
Choose one: | 2 | |
Theatre Laboratory: Scenic | ||
Theatre Laboratory: Costume | ||
Theatre Laboratory: Lighting/Sound/Projection | ||
Choose 16 units: | 16 | |
At least 8 of these units must be in a specific area determined in consultation with a faculty advisor and reflecting preparation for the honors project. Courses from other departments may be used to fulfill this requirement with permission of Chair and faculty advisor. Consult the Theatre & Dance advisor for alternative course options for fulfilling this requirement | ||
Theatre on Film | ||
Advanced Study of Major Film Makers | ||
Design on Screen | ||
Intermediate Acting/Gateway: The Actor's Toolkit | ||
Advanced Acting: Scene Study & Script Analysis | ||
Advanced Acting: Rehearsal Processes & Practices | ||
Advanced Acting: Character & Style | ||
Advanced Acting: Devising & Collaboration | ||
Advanced Acting: Shakespeare & His Contemporaries | ||
Advanced Acting: Special Topics in Acting | ||
Principles of Theatrical Design: Scenery | ||
Principles of Theatrical Design: Scenery | ||
Principles of Theatrical Design: Lighting | ||
Principles of Theatrical Design: Costume | ||
Costume Design for Film | ||
Scenic Painting: Studio | ||
Principles of Performing Arts Stage Management | ||
Topics in Entertainment Engineering | ||
Principles of Directing | ||
Principles of Directing | ||
Principles of Theatre Sound | ||
Approaches to Theatrical Design: Practice & Theory | ||
Voice in Performance | ||
Dance Composition | ||
Dance Composition | ||
Dance Composition | ||
Introduction to the Fundamentals of Movement | ||
History of Modern Dance | ||
Dance & Movement Studio | ||
Introduction to Traditional Chinese Embodied Culture | ||
Traditional Chinese Physical Culture | ||
Daoist Philosophy in Traditional Chinese Movement Culture | ||
Professional Track Modern Dance I | ||
Professional Track Modern Dance II | ||
Professional Track Modern Dance III | ||
American Theatre & Drama | ||
Musicals: History, Practice & Production | ||
Latinx Theatre & Performance | ||
Asian Theatre & Drama: Contexts & Forms | ||
African American Dance & Culture in the United States, Brazil & the Caribbean | ||
Performance Analysis | ||
Theatre in History & Place: Local, National & Global Conditions for Production | ||
Modern Aesthetic Movements in Performance | ||
Theatre History Through Shakespeare | ||
Performance Studies Undergraduate Seminar | ||
Contemporary Experimental Performance, Theatre & Drama | ||
Principles of Playwriting | ||
Principles of Playwriting | ||
Media Theatre | ||
Acting for Camera | ||
Small Scale Film Production | ||
Special Topics: Artist in Residence-Seminar | ||
Special Topics: Artist in Residence-Studio | ||
DRA 194HA | Special Study for Honors Students | 3 |
DRA 194HB | Special Study for Honors Students | 3 |
DRA 195 | Senior Capstone Experience | 2 |
Depth Subject Matter Subtotal | 56 | |
Total Units | 80 |